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Its individual users put a lot of work into creating killer presentations, complete with PowerPoint slides, browser windows, and other documentation, but they don’t have the time and patience to lug out multiple cables, power cords, and projectors every time they want to showcase their work at a meeting. Picture this: A company wants to get the most out of its conference room space and wireless technology. The same technology that allows home consumers to put up their feet and stream movies and video games wirelessly to their big-screen televisions is gaining traction in the business market as users look to shed cables, cords, and wires that tangle around desks and conference rooms. Anyone should play it.Screen Mirroring: Through embedded Miracast technology, Samsung partners can eliminate cables, cords, and projectors from customer conference rooms.ĭisplays and visual output are no longer dependent on cables. ‘If it’s actions that drive the story, then anyone can play it. Is it so important that your character has to be a particular race?” he said. “It starts from conception, creating stories and characters anybody can play. For that to happen though, the actor says, it has to start “with the directors, in the writer’s room.” While in some certain cases it’s important that a character be portrayed as and played by a certain race, more characters can be built to be played by anyone. Golding takes the position that there should be more casting open to actors of all races. military, to Japan where he learns the ninja arts as a member of the Arashikage Clan. After fighting in Vietnam, he returns home to learn his family has died in a car crash, prompting him to follow Storm Shadow, who he fought alongside in the U.S. Joe comics cast Snake Eyes as an American military commando with blonde hair and blue eyes. Those are the intricacies we can use in our stories now. “Now you may be white, Black, whatever, but you will be a fish out of water when you are taken from your culture and put in someone else’s. “When he was writing comic books, he had to use tropes: White guy learns the way of the ninja,” Golding said. The narrative around being the “other” can apply to any race.
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Going further, the actor argues that despite the long history of the “stranger in a strange land” trope placing white characters into non-white cultures and nations, those characters don’t actually always have to be white.
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Larry had to make it such an obvious story.” “People are like, ‘That’s not history, he’s white.’ Well, maybe Larry had to do that.
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“ gave us license to co-create with him the backstory that he always wanted to tell,” Golding says.
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Henry Golding to Star in TV Adaptation of Dean Koontz's 'Nameless' Joe comics, not only approved of his casting but the actor challenges the conditions under which Hama may have had to write the original comics. Golding also confirms that Japanese-American comic book writer and artist Larry Hama, who created and wrote most of the G.I. In a new interview with Inverse, the Snake Eyes star elaborates on why changing the character’s race from his comics counterpart doesn’t change the character’s story. Joe: The Rise of Cobra and its 2013 sequel G.I. Joe Origins casting after taking over the role from Ray Park, who played the character in G.I. Henry Golding is taking on critics of his Snake Eyes: G.I.